Victory fot the ACT Exam 16e ST Sample

U NIT 2 | M ULTIPLE T EXTS • 91

5. Ta ghree tewt ho actoCmamr aevna tgagtiooras nwdoRuel dmpbrroabnadbt l y differ signi�icantly in the: AB .. ce hf foe iccteoof fdsaurbkjneecst smi na tpt eari .n t i n g . CD.. sviazleu eo fotfhtehieri rc amn av as tsesrepsi. e c e s . 6. Wr e lhaitci ho nosf ht ihpe bf oe tl lwo we ei nn gt hbee st wt doeps ac rs isbaegse st h? e F. Passage A describes the in�luence of Caravaggio on Rembrandt while Passage B explains the in�luence of Rembrandt on Caravaggio. G. The author of Passage A praises Cb raeraa vkawg gi tiho tfroardhi ti si own iwl l ihnigl en et hs se taou t h o r oh fi sPcaosns avge en tBi opnraali saepsp Rr oeamc hb .r a n d t f o r H. The author of Passage A criticizes Rwehmi l eb rt ahne datuftohrohr i os fl aPcaks soaf grea d i c a l i s m Ba gcgrriet iscsiizvees sCt ya lrea.v a g g i o f o r h i s J. The author of Passage A prefers CP aa sr as av ga eg gBi opwr ehf ei lres tRheema ub trha onrd to. f

bn ye vCearrma veatgCg ai or .aBv augt gRi oe m, hberaa lnsdo t nneovteor ns layw a Cnoartaavraagdgiicoapl.ainting. And Rembrandt was Both painters were masters of chiaroscuro , the use of dramatic contrasts ob fu lti gRhetmabnrda ns hdat ’dsotwe c thon di qeus ec rpi br oe df ou rcme s, a n aplrteosgeent chee rt hwaanr tmh ea rt or ef sCualrt a, va af gr igei no d. Hl i ee rd o e s n ’ t wt eal lnytotuo ai nsvtaodr ye. yRoeumr br er aanl idt yt ms oamd eu tchhi na sg st o lCoaorka vr ae ga gl ii on do or de se ri tt ot os spceaarke yyoouur ol ua nt go uf ay go eu;r ww hi t es r. eBaost hR eomf tbhreamn dptr’ se fgel ro ot hme idsahr ok m, beul ty a n d c n o ig m h f t o m rt a i r n i g sh , C . aravaggio’s is sinister and Rembrandt lived almost twice as lsoc nr egaams Cwairt ahvaa gpgaisos, i ao nn df ohri sp laai tnetr t wh aotr ykos u nC ea vr aevr asgegni soe. Ri ne mt hber ua pn tdi tg hd ta rheadn dt oi wd oo rwk ho af t Caravaggio never wanted. Questions 4–6 ask about both passages. 4. Taghreetewthoacto:mmentators would probably F. Rembrandt was a better painter than Caravaggio. G. Caravaggio was more in�luential than Rembrandt. H. Rembrandt and Caravaggio were both great artists. J. Rembrandt is a more realistic painter than Caravaggio. PASSAGE III NATURAL SCIENCE: These passages are aa dn ad pdt ee pd ef nr odme nac ret iacnl eds oapbi oo ui dt ua lsceo dh iosloar bd ue sr . e Passage A Alcohol abuse and dependence are sa ed rui lot uAs mp er or ibc laenms s. Ta hf freecet i onug t 1o0f 1p 0e r0c de ne at tohf s in the United States can be linked directly to alcohol. In addition to traf�ic crashes, injuries in the home and on the job, and

Passage Perfect Tc ahri es f iut le rme ar de iqnugi r e s ba be coauut saesimt aasl lkds e t a i l . md oaukbel es -ucrheeycok ut h a t tchheo oa snes wi sesruypopuo r t e d by the passage.

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sa el croi ohuosl al obnugs-et ehrams bmeeedni ci ma l pcloi cnasteeqduienn c e s , aa gb gursees as ni odn aal nc odhcorli md eep. eTnhdeecnocset iosf easl tciomhaotle d to be as high as $1 trillion annually. Alcohol abuse and alcohol dependence a“Ar lec or ehloa lt eadb ubsuet ”arreef es resp taor aptreopbrl eo mb l se m s . at oc caol cmo ph loi sl huisneg. Ab lacsoi ch ol ilv ai nbgu saec tmi vai tni ei fse sdtus e as repetitive patterns of heavy drinking

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